Ding Yi Studio

Cui Cancan – Ding Yi: The Winding Path – 2025
Magdalena Kröner – Contemplating the Cosmos – On Ding Yi’s Oeuvre
Cui Cancan – Ding Yi’s Scale: Concept, Form, and Reality – 2023
Yongwoo Lee – Ding’s Cross Galaxy – 2023
Zhang Zikang – Flowing Infinity: Ding Yi’s Painting – 2022
Qian Wenzhong – Before Ding Yi’s Solo Exhibition in Lasha – 2022
Tenzin·Ngawang Gyaltsen – Endless Origin – 2022
Du Xiyun – Beauty in Consistency: Ding Yi and the “Appearance of Crosses” – 2021
Cuauhtémoc Medina – Ding Yi: anomalous galaxies – 2021
Yu-ping Luk – Circles and crosses: meditates upon a major new acquisition of Chinese abstract art – 2021
Carol Lu Yinghua – The Cross-Style – A Retrospective Interpretation of Ding Yi’s Creative Journey – 2020
Sophie Mak-Schram – When is the Contemporary Modern in China? Transnational Historicisations and the Work of Ding Yi – 2020
Tony Godfrey – Ding Yi: Painting and Experience in Twenty-First Century Shanghai – 2019
Feng Boyi – Away from Discursive Toil – on Ding Yi’s ‘Appearance of Crosses’ – 2018
Ji Shaofeng – Showing the World His True Self: Another Interpretation of Ding Yi’s Paintings – 2017
Liu Chun – The Meaning Behind Ding Yi’s Crosses – 2017
Martin Herbert – Crosstalk: A Brief History of Ding Yi – 2017
Hettie Judah – Ding Yi: Towards a New Dynamism – 2017
Ji Shaofeng – Re-appearance of Crosses – 2016
Shane McCausland – The Reception of Ding Yi and the Framework of Chinese Art History – 2015
Shane McCausland – What’s Left to Appear: Ding Yi and immersive spectatorship – 2015
Mathieu Borysevicz – (In)Congruity, Universality, Dingyi – 2013
Bao Dong – Ding Yi’s “Appearance of Crosses”: From Spiritual Enlightenment to Conceptual Reflection – 2012
Wang Min’an – Repetitious Craze – 2011
Guo Xiaoyan – The “Cross” of Ding Yi: Anchoring and Wandering in Painting – 2011
Demetrio Paparoni – The Ding Yi Grid – 2011
Thibaut Verhoeven – Seeing, rather than perception – 2011
Tony Godfery – Ding Yi and the Impossibility of Abstraction – 2011
If looked at, it appears not worth seeing; if listened to, it appears not worth hearing; but if used, it is found inexhaustible in resources. – 2009
Ulrike Schick – When the eye ceases to see, the soul begins to breathe -2009
Qing Zhang – Beyond Shanghai – 2009
Gianfranco Maraniello – Towards a Rhythmics of the Sign: The Art of Ding Yi
Barbara Catoir – At the Interface Between Profusion and Emptiness – 2008
Hirai Shoichi – Expression with the Body in Contemporary Chinese Art-2008
Nakai Yasuyuki – Paintings after 1989 – Beyond The End of Story-2008
Cao Weijun – The Magician of Crosses – 2007
Hou Hanru – An Excessive Minimalist – 2005
Franck Serrano-Ding Yi-2004
Michel Nuridsany – Ding Yi – 2004
Gao Minglu – Ding Yi’s “Cross” – 2003
Yokohama Triennale – Ding Yi – 2001
Cao Weijun – Ding Yi – 1997
Monica Dematté-Theorization of casualness-1997
Xiao Kaiyu—Ding Yi – Constant Negation—1997
Fei Dawei – An Aspect of Chinese Contemporary Art: In Between Limits – 1997
Monica Dematté – Simplicity, Complexity, Synthesis – 1994
Li Xu – Ding Yi – 1993

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