2019.09.20-2020.05.17

Power Station of Art, Shanghai

Artists whose works have been chosen as part of The Return of Guests: Selections from the PSA Collection include Rheim Alkadhi, aaajiao, Joseph Beuys, Cai Guo-Qiang, Chen Chieh-jen,

Chen Shaoxiong, Franklin Chow, Loris Cecchini, Musquiqui Chihying, Datong Dazhang, Ding Yi, Verina Gfader,

Huang Yong Ping, Hao Jingban, Hu Xiaoyuan, Hu Jieming, Hu Weiyi, Li Shan, Lin Ke, Ma Haijiao, Nabuqi,

Roman Signer, Superflex, Shen Yuan, Shi Zhiying, Irrelevant Commission, Pae White, Hiroshi Watanabe, Pascale Tayou,

Wang Gongxin, Wang Jingsong, Yu Youhan, Yang Fudong, Yang Zhenzhong, Boat Zhang and so on.

The museum also provides continuous updates to lists of selected artists and artworks as the exhibition period advances.

From September 20th, 2019 to May 17th, 2020, Shanghai’s Power Station of Art proudly presents its first-ever exhibition dedicated to works from the contemporary art museum’s permanent collection, “The Return of Guests: Selections from the PSA Collection”. Covering a wide range of media including video, photography, painting, sculpture, installation and literature, the exhibition presents more than 60 artworks by nearly 40 artists and collectives housed inside the former power plant. The first public representation of the PSA Collection since its launch in 2012, “The Return of Guests” provides a systematic retrospective view on the museum’s holdings, with the re-exhibited works retracing PSA’s exhibitory history while engaging with their significance in a contemporary context. The re-gathering prioritizes works from artists who have significantly contributed to the development of Chinese contemporary art as well as emerging talents, including key exhibits from past Shanghai Biennales as well as creations commissioned specially for PSA’s iconic industrial space. Starting with an “open warehouse” on PSA’s second-floor, the inaugural collection exhibition allows visitors to approach art from unfamiliar perspectives, providing a view on collection maintenance, restoration, transportation, and research for a close-up encounter with artworks in a different context from the typical exhibition environment. Following on from the “open warehouse”, the exhibition marks out a multitude of itineraries, with a number of pieces presented in the museum’s common space to help create an open context for dialogue. A transitory snapshot of the ever-expanding PSA Collection,“The Return of Guests” differs from more orthodox exhibitions, as it emphasizes the ongoing state of “collecting” while seeking to challenge the static relationship between artists (as creators), museums (as caretakers) and artworks (as commodities). Challenging prescribed notions of the museum as “host”, the museum’s guests are invited to experience a newly unstable state of “visiting”. It looks to revisit and explore the rich and pioneering artistic thought within the works of the PSA Collection, while trying to deconstruct preconceived understandings of the exhibition in contemporary society. Read more about the exhibition

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